Blast Cult Thirty5 Electric Bass



Product Details

Once again Blast Cult have blown us away with a killer bass that sounds, looks, and plays incredibly! You won't find another bass like this one anywhere, it truly is amazing. It is finished in a Silver Flake so it shines and sparkles in the light. The bass's build quality is of the highest standard, and the love and passion put into it can be seen and felt when you're in the room with it. 

It comes with active double bass pickups installed, which have a very unique and powerful tone. With bass and treble controls as well as the master volume you can get a load of tonal gold out of it!

Blast Cult truly are an incredible company building some incredible and unique basses, guitars and uprights.

You MUST come and see their pieces in person, you will not be any less than blown away. Expect more from Blast Cult at our shop very soon.

See below the specs for this Custom Blast Cult Thirty5 Electric Bass Guitar:

-Louisiana Cyprus body 
-Active magnetic upright bass pickups 
-Maple neck with ebony fretboard 
-Hipshot hardware
-Redburst Finish

Here's some more info about Blast Cult from their website:

Blast Cult preaches the gospel of a Sonic Religion to upright bass players and guitarists the world over. Be it out of wood, metal or cloth Blast Cult products speak for themselves; turning the highest quality raw materials into durable, practical pieces of art. Committing to quality over quantity you won’t find BLAST CULT instruments in big box stores for the unwashed masses; instead, we cater to touring musicians and the collector’s market. 

Every aspect of the company is a unique experience from the cast of misfits that contribute to the crafting of each guitar to the bespoke nature of the production process itself. 

Jason Burns is from Louisiana; he talks slow and plays fast. A luthier and master craftsman, Burns rolls 20 years of experience building quality instruments that can take a beating on the road. No second fiddle to the Stand-Up, Jason is a touring musician that understands it is critical to have an instrument that can stay in one piece until the end of the tour. There's innovation and quality that go into every instrument that leaves his bench. “There’s not a lot of glory in this job, but there’s a lot of satisfaction,” Burns says.

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